The Treasury of David

Psalm 6

Sing Psalm 6

Title. This Psalm is commonly known as the first of the Penitential Psalms, (The other six are Psalms 32:1-11, 38:1-22, 51:1-19, 102:1-7, 130:1-8, 143:1-12) and certainly its language well becomes the lip of a penitent, for it expresses at once the sorrow, (Psalms 6:3, 6, 7), the humiliation (Psalms 6:2, 4), and the hatred of sin (Psalms 6:8), which are the unfailing marks of the contrite spirit when it turns to God. O Holy Spirit, beget in us the true repentance which needeth not to be repented of. The title of this Psalm is “To the chief Musician on Neginoth upon Sheminith (1 Chronicles 15:21), A Psalm of David,” that is, to the chief musician with stringed instruments, upon the eighth, probably the octave. Some think it refers to the bass or tenor key, which would certainly be well adapted to this mournful ode. But we are not able to understand these old musical terms, and even the term “Selah,” still remains untranslated. This, however, should be no difficulty in our way. We probably lose but very little by our ignorance, and it may serve to confirm our faith. It is a proof of the high antiquity of these Psalms that they contain words, the meaning of which is lost even to the best scholars of the Hebrew language. Surely these are but incidental (accidental I might almost say, if I did not believe them to be designed by God), proofs of their being, what they profess to be, the ancient writings of King David of olden times.

Division. You will observe that the Psalm is readily divided into two parts. First, there is the Psalmist’s plea in his great distress, reaching from the first to the end of the seventh verse. Then you have, from the eighth to the end, quite a different theme. The Psalmist has changed his note. He leaves the minor key, and betakes himself to sublimer strains. He tunes his note to the high key of confidence, and declares that God hath heard his prayer, and hath delivered him out of all his troubles.
The Treasury of David.

Psalm 6:8


Hitherto, all has been mournful and disconsolate, but now—

“Your harps, ye trembling saints, Down from the willows take.”

Ye must have your times of weeping, but let them be short. Get ye up, get ye up, from your dunghills! Cast aside your sackcloth and ashes! Weeping may endure for a night, but joy cometh in the morning.

David has found peace, and rising from his knees he begins to sweep his house of the wicked.

Depart from me, all ye workers of iniquity. The best remedy for us against an evil man is a long space between us both. “Get ye gone; I can have no fellowship with you.” Repentance is a practical thing. It is not enough to bemoan the desecration of the temple of the heart, we must scourge out the buyers and sellers, and overturn the tables of the money changers. A pardoned sinner will hate the sins which cost the Saviour his blood. Grace and sin are quarrelsome neighbours, and one or the other must go to the wall.

For the Lord hath hear the voice of my weeping. What a fine Hebraism, and what grand poetry it is in English! “He hath heard the voice of my weeping.” Is there a voice in weeping? Does weeping speak? In what language doth it utter its meaning? Why, in that universal tongue which is known and understood in all the earth, and even in heaven above. When a man weeps, whether he be a Jew or Gentile, Barbarian, Scythian, bond or free, it has the same meaning in it. Weeping is the eloquence of sorrow. It is an unstammering orator, needing no interpreter, but understood of all. Is it not sweet to believe that our tears are understood even when words fail? Let us learn to think of tears as liquid prayers, and of weeping as a constant dropping of importunate intercession which will wear its way right surely into the very heart of mercy, despite the stony difficulties which obstruct the way. My God, I will “weep” when I cannot plead, for thou hearest the voice of my weeping.

Explanatory Notes and Quaint Sayings

Depart from me, etc., i.e., you may now go your way; for that which you look for, namely, my death, you shall not have at this present; for the Lord hath heard the voice of my weeping, i.e., has graciously granted me that which with tears I asked of him. Thomas Wilcocks.

Depart from me, all ye workers of iniquity. May not too much familiarity with profane wretches be justly charged upon church members? I know man is a sociable creature, but that will not excuse saints as to their carelessness of the choice of their company. The very fowls of the air, and beasts of the field, love not heterogeneous company. “Birds of a feather flock together.” I have been afraid that many who would be thought eminent, of a high stature in grace and godliness, yet see not the vast difference there is between nature and regeneration, sin and grace, the old and the new man, seeing all company is alike unto them. Lewis Stuckley’s “Gospel Glass”, 1667.

The voice of my weeping. Weeping hath a voice, and as music upon the water sounds farther and more harmoniously than upon the land, so prayers, joined with tears, cry louder in God’s ears, and make sweeter music than when tears are absent. When Antipater had written a large letter against Alexander’s mother unto Alexander, the king answered him, “One tear from my mother will wash away all her faults.” So it is with God. A penitent tear is an undeniable ambassador, and never returns from the throne of grace unsatisfied. Spencer’s Things New and Old.

The wicked are called, workers of iniquity, because they are free and ready to sin, they have a strong tide and bent of spirit to do evil, and they do it not to halves but thoroughly; they do not only begin or nibble at the bait a little (as a good man often doth), but greedily swallow it down, hook and all; they are fully in it, and do it fully; they make a work of it, and so are “workers of iniquity.” Joseph Caryl.

Some may say, “My constitution is such that I cannot weep; I may as well go to squeeze a rock, as think to get a tear.” But if thou canst not weep for sin, canst thou grieve? Intellectual mourning is best; there may be sorrow where there are no tears, the vessel may be full though it wants vent; it is not so much the weeping eye God respects as the broken heart; yet I would be loath to stop their tears who can weep. God stood looking on Hezekiah’s tears (Isaiah 38:5), “I have seen thy tears.” David’s tears made music in God’s ears, The Lord hath heard the voice of my weeping. It is a sight fit for angels to behold, tears as pearls dropping from a penitent eye. T. Watson.

The Lord hath heard the voice of my weeping. God hears the voice of our looks, God hears the voice of our tears sometimes better than the voice of our words; for it is the Spirit itself that makes intercession for us. Romans 8:26. Gemitibus inenarrabilibus, in those groans, and so in those tears, which we cannot utter; ineloquacibus, as Tertullian reads that place, devout, and simple tears, which cannot speak, speak aloud in the ears of God; nay, tears which we cannot utter; not only utter the force of the tears, but not utter the very tears themselves. As God sees the water in the spring in the veins of the earth before it bubble upon the face of the earth, so God sees tears in the heart of a man before they blubber his face; God hears the tears of that sorrowful soul, which for sorrow cannot shed tears. From this casting up of the eyes, and pouring out the sorrow of the heart at the eyes, at least opening God a window through which he may see a wet heart through a dry eye; from these overtures of repentance, which are as those imperfect sounds of words, which parents delight in, in their children, before they speak plain, a penitent sinner comes to a verbal and a more expressive prayer. To these prayers, these vocal and verbal prayers from David, God had given ear, and from this hearing of those prayers was David come to this thankful confidence, The Lord hath heard, the Lord will hear. John Donne.

What a strange change is here all of a sudden! Well might Luther say, “Prayer is the leech of the soul, that sucks out the venom and swelling thereof.” “Prayer,” saith another, “is an exorcist with God, and an exorcist against sin and misery.” Bernard saith, “How oft hath prayer found me despairing almost, but left me triumphing, and well assured of pardon!” The same in effect saith David here, “Depart from me, all ye workers of iniquity; for the Lord hath heard the voice of my weeping.” What a word is that to his insulting enemies! Avaunt! come out! vanish! These be words used to devils and dogs, but good enough for a Doeg or a Shimei. And the Son of David shall say the same to his enemies when he comes to judgment. John Trapp.

Hints to the Village Preacher

The pardoned sinner forsaking his bad companions.
The Treasury of David.

Works Upon The Sixth Psalm

A Godly and Fruitful Exposition on the Sixt Psalme, the First of the Penitentials; in a sacred Septenarie; or, a Godly and Fruitful Exposition on the Seven Psalmes of Repentance. by Mr. Archibald Symson, late Pastor of the Church at Dalkeeth in Scotland. 1638.

Sermones on the Penetential Psalms, in “The Works of John Donne, D.D., Dean of St. Paul’s,” 1621-1631. Edited by Henry Alford, M.A. In six volumes. 1839.

On Verse 6. The Sick Man’s Couch; a Sermon preached before the most noble Prince Henry, as Greenwich, Mar. 12., ann. 1604. by Thomas Playfere. &c., in Playfere’s Sermons.

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