Title. “To the chief Musician upon Aijeleth Shahar. A Psalm of David.” This ode of singular excellence was committed to the most excellent of the temple songsters; the chief among ten thousand is worthy to be extolled by the chief Musician; no meaner singer must have charge of such a strain; we must see to it that we call up our best abilities when Jesus is the theme of praise. The words Aijeleth Shahar are enigmatical, and their meaning is uncertain; some refer them to a musical instrument used upon mournful occasions, but the majority adhere to the translation of our margin, “Concerning the kind of the morning.” This last interpretation is the subject of much enquiry and conjecture. Calmet believed that the psalm was addressed to the music master who presided over the band called the “Morning Hind, “and Adam Clarke thinks this to be the most likely of all the conjectural interpretations, although he himself inclines to the belief that no interpretation should be attempted, and believes that it is a merely arbitrary and unmeaning title, such as Orientals have always been in the habit of appending to their songs. Our Lord Jesus is so often compared to a hind, and his cruel huntings are so pathetically described in this most affecting psalm, that we cannot but believe that the title indicates the Lord Jesus under a well known poetical metaphor; at any rate, Jesus is the Hind of the morning concerning whom David here sings.
Subject. This is beyond all others The Psalm Of The Cross. It may have been actually repeated word by word by our Lord when hanging on the tree; it would be too bold to say that it was so, but even a casual reader may see that it might have been. It begins with, “My God, my God, why hast thou forsaken me?” and ends, according to some, in the original with “It is finished.” For plaintive expressions uprising from unutterable depths of woe we may say of this psalm, “there is none like it.” It is the photograph of our Lord’s saddest hours, the record of his dying words, the lachrymatory of his last tears, the memorial of his expiring joys. David and his afflictions may be here in a very modified sense, but, as the star is concealed by the light of the sun, he who sees Jesus will probably neither see nor care to see David. Before us we have a description both of the darkness and of the glory of the cross, the sufferings of Christ and the glory which shall follow. Oh for grace to draw near and see this great sight! We should read reverently, putting off our shoes from off our feet, as Moses did at the burning bush, for if there be holy ground anywhere in Scripture it is in this psalm.
Division. From Psalms 22:1-21 is a most pitiful cry for help, and from Psalms 22:21-31 is a most precious foretaste of deliverance. The first division may be subdivided at the Psalms 22:10, from Psalms 22:1-10 being an appeal based upon covenant relationship; and from Psalms
The Treasury of David.
They gaped upon me with their mouths, as a ravening and a roaring lion. Like hungry cannibals they opened their blasphemous mouths as if they were about to swallow the man whom they abhorred. They could not vomit forth their anger fast enough through the ordinary aperture of their mouths, and therefore set the doors of their lips wide open like those who gape. Like roaring lions they howled out their fury, and longed to tear the Saviour in pieces, as wild beasts raven over their prey. Our Lord’s faith must have passed through a most severe conflict while he found himself abandoned to the tender mercies of the wicked, but he came off victorious by prayer; the very dangers to which he was exposed being used to add prevalence to his entreaties.
A helpless infant, or a harmless lamb, surrounded by furious bulls, and hungry lions, aptly represented the Saviour encompassed by his insulting and bloody persecutors. Thomas Scott, 1747-1821.
Ver. 6-18. Full of striking sentences upon our Lord’s suffering.
The Treasury of David.
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