The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.
Title. A Psalm of David. David is pictured in this Psalm as in a faithful miniature. His holy trust, his many conflicts, his great transgression, his bitter repentance, and his deep distresses are all here; so that we see the very heart of “the man after God’s own heart.” It is evidently a composition of David’s later days, for he mentions the sins of his youth, and from its painful references to the craft and cruelty of his many foes, it will not be too speculative a theory to refer it to the period when Absalom was heading the great rebellion against him. This has been styled the second of the seven Penitential Psalms. It is the mark of a true saint that his sorrows remind him of his sins, and his sorrow for sin drives him to his God.
Subject And Division. The twenty-two verses of this Psalm begin in the original with the letters of the Hebrew alphabet in their proper order. It is the first instance we have of an inspired acrostic or alphabetical song. This method may have been adopted by the writer to assist the memory; and the Holy Spirit may have employed it to show us that the graces of style and the arts of poetry may lawfully be used in his service. Why should not all the wit and ingenuity of man be sanctified to noblest ends by being laid upon the altar of God? From the singularity of the structure of the Psalm, it is not easy to discover any marked divisions; there are great changes of thought, but there is no variation of subject; the moods of the writer’s mind are twofold—prayer and meditation; and as these appear in turns, we should thus divide the verses. Prayer from Psalms 25:1-7; meditation, Psalms 25:8-10; prayer, Psalms 25:11; meditation, Psalms 25:12-15; prayer, Psalms 25:16-22.
The Treasury of David.
Mine eyes are ever toward the Lord. The writer claims to be fixed in his trust, and constant in his expectation; he looks in confidence, and waits in hope. We may add to this look of faith and hope the obedient look of service, the humble look of reverence, the admiring look of wonder, the studious look of meditation, and the tender look of affection. Happy are those whose eyes are never removed from their God. “The eye, “says Solomon, “is never satisfied with seeing, “but this sight is the most satisfying in the world. For he shall pluck my feet out of the net. Observe the conflicting condition in which a gracious soul may be placed, his eyes are in heaven and yet his feet are sometimes in a net; his nobler nature ceases not to behold the glories of God, while his baser parts are enduring the miseries of the world. A net is the common metaphor for temptation. The Lord often keeps his people from falling into it, and if they have fallen he rescues them. The word “pluck” is a rough word, and saints who have fallen into sin find that the means of their restoration are not always easy to the flesh; the Lord plucks at us sharply to let us feel that sin is an exceeding bitter thing. But what a mercy is here: Believer, be very grateful for it. The Lord will deliver us from the cunning devices of our cruel enemy, and even if through infirmity we have fallen into sin, he will not leave us to be utterly destroyed but will pluck us out of our dangerous state; though our feet are in the net, if our eyes are up unto God, mercy certainly will interpose.
Mine eyes are ever toward the Lord. Though we cannot see him by reason of our present distance and darkness, yet we must look towards him, towards the place where his honour dwells, as those that desire the knowledge of him and his will, and direct all to his honour as the mark we aim at, labouring in this, that “whether present or absent, we may be accepted of him.” Matthew Henry.
Mine eyes. As the sense of sight is very quick, and exercises an entire influence over the whole frame, it is no uncommon thing to find all the affections denoted by the term “eyes.” John Calvin.
He shall pluck my feet out of the net. An unfortunate dove, whose feet are taken in the snare of the fowler, is a fine emblem of the soul, entangled in the cares or pleasures of the world; from which she desires, through the power of grace, to fly away, and to be at rest, with her glorified Redeemer. George Horne.
The Treasury of David.
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