The Treasury of David

The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.

Psalm 42

Exposition
Explanatory Notes and Quaint Sayings
Hints to the Village Preacher
Other Works


TITLE. To the chief Musician, Maschil, for the sons of Korah. Dedicated to the Master of Music, this Psalm is worthy of his office; he who can sing best can have nothing better to sing. It is called, Maschil, or an instructive ode; and full as it is of deep experimental expressions, it is eminently calculated to instruct those pilgrims whose road to heaven is of the same trying kind as David’s was. It is always edifying to listen to the experience of a thoroughly gracious and much afflicted saint.

That choice band of singers, the sons of Korah, are bidden to make this delightful Psalm one of their peculiars. They had been spared when their father and all his company, and all the children of his associates were swallowed up alive in their sin. Numbers 26:11. They were the spared ones of sovereign grace. Preserved, we know not why, by the distinguishing favour of God, it may be surmised that after their remarkable election to mercy, they became so filled with gratitude that they addicted themselves to sacred music in order that their spared lives might be consecrated to the glory of God. At any rate, we who have been rescued as they were from going down into the pit, out of the mere good pleasure of Jehovah, can heartily join in this Psalm, and indeed in all the songs which show forth the praises of our God and the pantings of our hearts after him. Although David is not mentioned as the author, this Psalm must be the offspring of his pen; it is so Davidic, it smells of the son of Jesse, it bears the marks of his style and experience in every letter. We could sooner doubt the authorship of the second part of Pilgrim’s Progress than question David’s title to be the composer of this Psalm.

SUBJECT. It is the cry of a man far removed from the outward ordinances and worship of God, sighing for the long loved house of his God; and at the same time it is the voice of a spiritual believer, under depressions, longing for the renewal of the divine presence, struggling with doubts and fears, but yet holding his ground by faith in the living God. Most of the Lord’s family have sailed on the sea which is here so graphically described. It is probable that David’s flight from Absalom may have been the occasion for composing this Maschil.

DIVISION. The structure of the song directs us to consider it in two parts which end with the same refrain; Ps 42:1-5 and then Ps 42:6-11.

Verse 4. When I remember these things, I pour out my soul in me. When he harped upon his woes his heart melted into water and was poured out upon itself. God hidden, and foes raging, a pair of evils enough to bring down the stoutest heart! Yet why let reflections so gloomy engross us, since the result is of no value: merely to turn the soul on itself, to empty it from itself into itself is useless, how much better to pour out the heart before the Lord! The prisoner’s tread wheel might sooner land him in the skies than mere inward questioning raise us nearer to consolation. For I had gone with the multitude, I went with them to the house of God. Painful reflections were awakened by the memory of past joys; he had mingled in the pious throng, their numbers had helped to give him exhilaration and to awaken holy delight, their company had been a charm to him as with them he ascended the hill of Zion. Gently proceeding with holy ease, in comely procession, with frequent strains of song, he and the people of Jehovah had marched in reverent ranks up to the shrine of sacrifice, the dear abode of peace and holiness. Far away from such goodly company the holy man pictures the sacred scene and dwells upon the details of the pious march. With the voice of joy and praise, with a multitude that kept holyday. The festive noise is in his ears, and the solemn dance before his eyes. Perhaps he alludes to the removal of the ark and to the glorious gatherings of the tribes on that grand national holy day and holiday. How changed his present place! For Zion, a wilderness; for the priests in white linen, soldiers in garments of war; for the song, the sneer of blasphemy; for the festivity, lamentation; for joy in the Lord, a mournful dirge over his absence.

Singing psalms 42

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