The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.
TITLE. To the chief Musician, Maschil, for the sons of Korah. Dedicated to the Master of Music, this Psalm is worthy of his office; he who can sing best can have nothing better to sing. It is called, Maschil, or an instructive ode; and full as it is of deep experimental expressions, it is eminently calculated to instruct those pilgrims whose road to heaven is of the same trying kind as David’s was. It is always edifying to listen to the experience of a thoroughly gracious and much afflicted saint.
That choice band of singers, the sons of Korah, are bidden to make this delightful Psalm one of their peculiars. They had been spared when their father and all his company, and all the children of his associates were swallowed up alive in their sin. Numbers 26:11. They were the spared ones of sovereign grace. Preserved, we know not why, by the distinguishing favour of God, it may be surmised that after their remarkable election to mercy, they became so filled with gratitude that they addicted themselves to sacred music in order that their spared lives might be consecrated to the glory of God. At any rate, we who have been rescued as they were from going down into the pit, out of the mere good pleasure of Jehovah, can heartily join in this Psalm, and indeed in all the songs which show forth the praises of our God and the pantings of our hearts after him. Although David is not mentioned as the author, this Psalm must be the offspring of his pen; it is so Davidic, it smells of the son of Jesse, it bears the marks of his style and experience in every letter. We could sooner doubt the authorship of the second part of Pilgrim’s Progress than question David’s title to be the composer of this Psalm.
SUBJECT. It is the cry of a man far removed from the outward ordinances and worship of God, sighing for the long loved house of his God; and at the same time it is the voice of a spiritual believer, under depressions, longing for the renewal of the divine presence, struggling with doubts and fears, but yet holding his ground by faith in the living God. Most of the Lord’s family have sailed on the sea which is here so graphically described. It is probable that David’s flight from Absalom may have been the occasion for composing this Maschil.
DIVISION. The structure of the song directs us to consider it in two parts which end with the same refrain; Ps 42:1-5 and then Ps 42:6-11.
Verse 11. Why art thou cast down, O my soul? and why art thou disquieted within me? In the rehearsal of his sorrow, he finds after all no sufficient ground for being disquieted. Looked in the face, his fears were not so overwhelming as they seemed when shrouded in obscurity. Hope thou in God. Let the anchor still keep its hold. God is faithful, God is love, therefore there is room and reason for hope. Who is the health of my countenance, and my God. This is the same hopeful expression as that contained in verse five, but the addition of and my God shows that the writer was growing in confidence, and was able defiantly to reply to the question, “Where is thy God?” Here, even here, he is, ready to deliver me. I am not ashamed to own him amid your sneers and taunts, for he will rescue me out of your hands. Thus faith closes the struggle, a victor in fact by anticipation, and in heart by firm reliance. The saddest countenance shall yet be made to shine, if there be a taking of God at his word and an expectation of his salvation.
“For yet I know I shall him praise
Who graciously to me,
The health is of my countenance,
Yea, mine own God is he.”
“To me remains nor place nor time;
my country is in every clime;
I can be calm and free from care
On any shore, since God is there.”
“Could I be cast where thou art not,
That was indeed a dreadful lot,
But regions none remote I call,
Secure of finding God in all.”
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