The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.
TITLE. The many titles of this Psalm mark its royalty, its deep and solemn import, and the delight the writer had in it. To the Chief Musician upon Shoshannim. The most probable translation of this word is upon the lilies, and it is either a poetical title given to this noblest of songs after the Oriental manner, or it may relate to the tune to which it was set, or to the instrument which was meant to accompany it. We incline to the first theory, and if it be the true one, it is easy to see the fitness of borrowing a name for so beautiful, so pure, so choice, so matchless a poem from the golden lilies, whose bright array outshone the glory of Solomon. For the sons of Korah. Special singers are appointed for so divine a hymn. King Jesus deserves to be praised not with random, ranting ravings, but with the sweetest and most skillful music of the best-trained choristers. The purest hearts in the spiritual temple are the most harmonious songsters in the ears of God; the acceptable song is not a matter so much of tuneful voices as of sanctified affections, but in no case should we sing of Jesus with unprepared hearts. Maschil, an instructive ode, not an idle lay, or a romancing ballad, but a Psalm of holy teaching, didactic and doctrinal. This proves that it is to be spiritually understood. Blessed are the people who know the meaning of its joyful sound. A Song of loves. Not a carnal sentimental love song, but a celestial canticle of everlasting love fit for the tongues and ears of angels.
SUBJECT. Some here see Solomon and Pharaoh’s daughter only—they are short-sighted; others see both Solomon and Christ—they are cross-eyed; well focused spiritual eyes see here Jesus only, or if Solomon is present at all, it must be like those hazy shadows of by-passers which cross the face of the camera and therefore are dimly traceable upon a photographic landscape. “The King, “the God whose throne is forever and ever, is no mere mortal and his everlasting dominion is not bounded by Lebanon and Egypt’s river. This is no wedding song of earthly nuptials, but an Epithalamium for the Heavenly Bridegroom and his elect spouse.
DIVISION. Ps 45:1 is an announcement of intention, a preface to the song; Ps 45:3 adores the matchless beauty of Messiah; and from Ps 45:3-9, he is addressed in admiring ascriptions of praise. Ps 45:10-12 are spoken to the bride. The church is further spoken of in Ps 45:13-15, and the Psalm closes with another address to the King, foretelling his eternal fame, Ps 45:16-17.
Verse 8. All thy garments smell of myrrh, and aloes, and cassia. The divine anointing causes the fragrance to distill from the robes of the Mighty Hero. He is delightful to every sense, to the eyes most fair, to the ear most gracious, to the spiritual nostril most sweet. The excellences of Jesus are all most precious, comparable to the rarest spices; they are most varied, and to be likened not to myrrh alone, but to all the perfumes blended in due proportion. The Father always finds pleasure in him, in him he is well pleased; and all regenerated spirits rejoice in him, for he is made of God unto us, “wisdom, righteousness, sanctification, and redemption.” Note that not only is Jesus most sweet, but even his garments are so; everything that he has to do with is perfumed by his person. All his garments are thus fragrant; not some of them, but all; we delight as much in his purple of dominion as in the white of his priesthood, his mantle as our prophet is as dear to us as his seamless coat as our friend. All his dress is fragrant with all sweetness. To attempt to spiritualize each spice here mentioned would be unprofitable, the evident sense is that all sweetnesses meet in Jesus, and are poured forth wherever he is present. Out of the ivory palaces, whereby they have made thee glad. The abode of Jesus now is imperial in splendor, ivory, and gold but faintly image his royal seat; there is he made glad in the presence of the Father, and in the company of his saints. Oh, to behold him with his perfumed garments on! The very smell of him from afar ravishes our spirit, what must it be to be on the other side of the pearl gate, within the palace of ivory, amid those halls of Zion, “conjubilant with song, “where is the throne of David, and the abiding presence of the Prince! To think of his gladness, to know that he is full of joy, gives gladness at this moment to our souls. We poor exiles can sing in our banishment since our King, our Wellbeloved has come to his throne.
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