The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.
TITLE. To the Chief Musician. He who could sing other Psalms so well was fitly entrusted with this noble ode. Trifles may be left to commoner songsters, but the most skillful musician in Israel must be charged with the due performance of this song, with the most harmonious voices and choicest music. For the Sons of Korah. One alone cannot fulfill the praise, there must be picked choristers under him, whose joyful privilege it shall be to celebrate the service of song in the house of the Lord. As to why the sons of Korah were selected, see our remarks at the head of Psalm 42. It may be well to add that they were a division of the Levites who took their turn in serving at the temple. All the works of holy service ought not to be monopolized by one order of talent, each company of believers should in due course enjoy the privilege. None ought to be without a share in the service of God.
A Song upon Alamoth. Which may denote that the music was to be pitched high for the treble or soprano voices of the Hebrew virgins. They went forth in their dances to sing the praises of David when he smote the Philistine, it was meet that they should make merry and be glad when the victories of Jehovah became their theme. We need to praise God upon virgin hearts, with souls chaste towards his fear, with lively and exalted expressions, and happy strains. Or the word Alamoth may refer to shrill sounding instruments, as in 1Ch 15:20, where we read that Zechariah, and Eliab, and Benaiah were to praise the Lord “with psalteries on Alamoth.” We are not always, in a slovenly manner, to fall into one key, but with intelligence are to modulate our praises and make them fittingly expressive of the occasion and the joy it creates in our souls. These old musical terms cannot be interpreted with certainty, but they are still useful because they show that care and skill should be used in our sacred music.
SUBJECT. Happen what may, the Lord’s people are happy and secure, this is the doctrine of the Psalm, and it might, to help our memories, be called THE SONG OF HOLY CONFIDENCE, were it not that from the great reformer’s love to this soul-stirring hymn it will probably be best remembered as LUTHER’S PSALM.
DIVISION. It is divided by inspired authority into three parts, each of which ends with Selah.
Verse 9. He maketh wars to cease unto the end of the earth. His voice quiets the tumult of war and calls for the silence of peace. However remote and barbarous the tribe, he awes the people into rest. He crushes the great powers till they cannot provoke strife again; he gives his people profound repose. He breaketh the bow, the sender of swift-winged death he renders useless. And cutteth the spear in sunder—the lance of the mighty man he shivers. He burneth the chariot in the fire—the proud war chariot with its death-dealing scythes he commits to the flames. All sorts of weapons he piles heaps on heaps and utterly destroys them. So was it in Judea in the days of yore, so shall it be in all lands in eras yet to come. Blessed deed of the Prince of Peace! when shall it be literally performed? Already the spiritual foes of his people are despoiled of their power to destroy; but when shall the universal victory of peace be celebrated, and instruments of wholesale murder are consigned to ignominious destruction? How glorious will the ultimate victory of Jesus be in the day of his appearing, when every enemy shall lick the dust!
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