The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.
TITLE. To the Chief Musician. Many songs were dedicated to this leader of the chorus, but he was not overloaded thereby. God’s service is such delight that it cannot weary us; and that choicest part of it, the singing of his praises, is so pleasurable that we cannot have too much of it. Doubtless, the chief musician, as he was commissioned with so many sacred songs, felt that the more the merrier. A Psalm for the Sons of Korah. We cannot agree with those who think that the sons of Korah were the authors of these Psalms; they have all the indications of David’s authorship that one could expect to see. Our ear has grown accustomed to the ring of David’s compositions, and we are morally certain that we hear it in this Psalm. Every expert would detect here the autography of the Son of Jesse, or we are greatly mistaken. The Sons of Korah sang these Psalms, but we believe they did not write them. Fit singers were they whose origin reminded them of sin, whose existence was a proof of sovereign grace, and whose name has a close connection with the name of Calvary.
SUBJECT. Whether the immediate subject of this Psalm is the carrying up of the ark from the house of Obededom to Mount Zion or the celebration of some memorable victory, it would be hard to decide. As even the doctors differ, who should dogmatize? But it is very clear that both the present sovereignty of Jehovah and the final victories of our Lord is here fitly hymned, while his ascension, as the prophecy of them, is sweetly gloried in.
DIVISION. In so short a Psalm, there is no need of any other division than that indicated by the musical pause at the end of Ps 47:4.
Verse 5. God is gone up with a shout. Faith hears the people already shouting. The command of the first verse is here regarded as a fact. The fight is over, the conqueror ascends to his triumphant chariot, and rides up to the gates of the city which are made resplendent with the joy of his return. The words are fully applicable to the ascension of the Redeemer. We doubt not that angels and glorified spirits welcomed him with acclamations. He came not without song, shall we imagine that he returned in silence? The Lord with the sound of a trumpet. Jesus is Jehovah. The joyful strain of the trumpet betokens the splendor of his triumph. It was meet to welcome one returning from the wars with martial music. Fresh from Bozrah, with his garments all red from the winepress, he ascended, leading captivity captive, and well might the clarion ring out the tidings of Immanuel’s victorious return.
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