The Treasury of David

The Treasury of David is one of several C.H. Spurgeon books in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.

Psalm 73

Exposition
Explanatory Notes and Quaint Sayings
Hints to the Village Preacher
Other Works

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TITLE.A Psalm of Asaph. This is the second Psalm ascribed to Asaph, and the first of eleven consecutive Psalms bearing the name of this eminent singer. Some writers are not sure that Asaph wrote them but incline to the belief that David was the author, and Asaph the person to whom they were dedicated, that he might sing them when in his turn he became the chief musician. But though our own heart turns in the same direction, facts must be heard; and we find in 2Ch 29:30, that Hezekiah commanded the Levites to sing “the words of David and of Asaph the seer; “and, moreover, in Ne 12:46, David and Asaph are mentioned together, as distinct from “the chief of the singers, “and as it would seem, as joint authors of psalmody. We may, therefore, admit Asaph to be the author of some, if not all, of the twelve Psalms ascribed to him. Often a great star that seems to be but one to the eyes of ordinary observers turns out upon closer inspection to be of a binary character; so here the Psalms of David are those of Asaph too. The great sun of David has a satellite on the moon of Asaph. By reading our notes on Psalm Fifty, in Volume 2, the reader will glean a little more concerning this man of God.

SUBJECT. Curiously enough this Seventy-third Psalm corresponds in subject with the Thirty-seventh: it will help the memory of the young to notice the reversed figures. The theme is that ancient stumbling block of good men, which Job’s friends could not get over; viz.—the present prosperity of wicked men and the sorrows of the godly. Heathen philosophers have puzzled themselves about this, while to believers it has too often been a temptation.

DIVISION. In Ps 73:1 the psalmist declares his confidence in God, and, as it were, plants his foot on a rock while he recounts his inward conflict. From Ps 73:2-14 he states his temptation; then, from Ps 73:15-17 he is embarrassed as to how to act, but ultimately finds deliverance from his dilemma. He describes with awe the fate of the ungodly in Ps 73:18-20, condemns his own folly and adores the grace of God, Ps 73:21-24, and concludes by renewing his allegiance to his God, whom he takes afresh to be his portion and delight.

Verse 18. The Psalmist’s sorrow had culminated, not in the fact that the ungodly prospered, but that God had arranged it so: had it happened by mere chance, he would have wondered, but could not have complained; but how the arranger of all things could so dispense his temporal favors, was the vexatious question. Here, to meet the case, he sees that the divine hand purposely placed these men in prosperous and eminent circumstances, not with the intent to bless them but the very reverse. Surely thou didst set them in slippery places. Their position was dangerous, and, therefore, God did not set his friends there but his foes alone. He chose, in infinite love, a rougher but safer standing for his own beloved. Thou castest them down into destruction. The same hand which led them up to their Tarpeian rock hurled them down from it. They were but elevated by judicial arrangement for the fuller execution of their doom. Eternal punishment will be all the more terrible in contrast with the former prosperity of those who are ripening for it. Taken as a whole, the case of the ungodly is horrible throughout; and their worldly joy instead of diminishing the horror, actually renders the effect more awful, even as the vivid lightning amid the storm does not brighten but intensifies the thick darkness which lowers around. The ascent to the fatal gallows of Haman was an essential ingredient in the terror of the sentence—”hang him thereon.” If the wicked had not been raised so high they could not have fallen so low.

Singing Psalms 73

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