The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.

Psalm 42

Exposition
Explanatory Notes and Quaint Sayings
Hints to the Village Preacher
Other Works

TITLE. To the chief Musician, Maschil, for the sons of Korah. Dedicated to the Master of Music, this Psalm is worthy of his office; he who can sing best can have nothing better to sing. It is called, Maschil, or an instructive ode; and full as it is of deep experimental expressions, it is eminently calculated to instruct those pilgrims whose road to heaven is of the same trying kind as David’s was. It is always edifying to listen to the experience of a thoroughly gracious and much afflicted saint.

That choice band of singers, the sons of Korah, are bidden to make this delightful Psalm one of their peculiars. They had been spared when their father and all his company, and all the children of his associates were swallowed up alive in their sin. Numbers 26:11. They were the spared ones of sovereign grace. Preserved, we know not why, by the distinguishing favour of God, it may be surmised that after their remarkable election to mercy, they became so filled with gratitude that they addicted themselves to sacred music in order that their spared lives might be consecrated to the glory of God. At any rate, we who have been rescued as they were from going down into the pit, out of the mere good pleasure of Jehovah, can heartily join in this Psalm, and indeed in all the songs which show forth the praises of our God and the pantings of our hearts after him. Although David is not mentioned as the author, this Psalm must be the offspring of his pen; it is so Davidic, it smells of the son of Jesse, it bears the marks of his style and experience in every letter. We could sooner doubt the authorship of the second part of Pilgrim’s Progress than question David’s title to be the composer of this Psalm.

SUBJECT. It is the cry of a man far removed from the outward ordinances and worship of God, sighing for the long loved house of his God; and at the same time it is the voice of a spiritual believer, under depressions, longing for the renewal of the divine presence, struggling with doubts and fears, but yet holding his ground by faith in the living God. Most of the Lord’s family have sailed on the sea which is here so graphically described. It is probable that David’s flight from Absalom may have been the occasion for composing this Maschil.

DIVISION. The structure of the song directs us to consider it in two parts which end with the same refrain; Ps 42:1-5 and then Ps 42:6-11.

Verse 6. O my God, my soul is cast down within me. Here the song begins again upon the bass. So sweet an ending deserves that for the sake of a second hopeful close the Psalm should even begin again. Perhaps the psalmist’s dejection continued, the spasm of despondency returned; well, then, he will down with his harp again, and try again its power upon himself, as in his younger days, he saw its influence upon Saul when the evil spirit came upon him. With God the song begins a second time more nearly than at first. The singer was also a little more tranquil. Outward expression of desire was gone; there was no visible panting; the sorrow was not all restrained within doors. Within or upon himself he was cast down; and, verily, it may well be so, while our thoughts look more within than upward. If self were to furnish comfort, we should have but poor provender. There is no solid foundation for comfort in such fickle frames as our heart is subject to. It is well to tell the Lord how we feel, and the more plain the confession the better: David talks like a sick child to its mother, and we should learn to imitate him. Therefore will I remember thee. It is well to fly to our God. Here is terra firma. Blessed down casting which drives us to so sure a rock of refuge as thee, O Lord! From the hill Mizar. He recalls his seasons of choice communion by the river and among the hills, and especially that dearest hour upon the little hill, where love spake her sweetest language and revealed her nearest fellowship. It is great wisdom to store up in memory our choice occasions of converse with heaven; we may want them another day, when the Lord is slow in bringing back his banished ones, and our soul is aching with fear. “His love in times past” has been a precious cordial to many a fainting one; like soft breath it has fanned the smoking flax into a flame, and bound up the bruised reed. Oh, never to be forgotten valley of Achor, thou art a door of hope! Fair days, now gone, ye have left a light behind you which cheers our present gloom. Or does David mean that even where he was he would bethink him of his God; does he declare that, forgetful of time and place, he would count Jordan as sacred as Siloa, Hermon as holy as Zion, and even Mizar, that insignificant rising ground as glorious as the mountains which are round about Jerusalem! Oh! it is a heavenly heart which can sing

“To me remains nor place nor time;
my country is in every clime;
I can be calm and free from care
On any shore, since God is there.”

“Could I be cast where thou art not,
That were indeed a dreadful lot,
But regions none remote I call,
Secure of finding God in all.”

Singing psalms 42

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