The Treasury of David is one of several C.H. Spurgeon books that are in the public domain. If you propose to study the Psalms, I suggest you download this as a companion for your other references.
To the Chief Musician. Strange that the painful events in David’s life should end in enriching the repertoire of the national minstrelsy. Out of a sour, ungenerous soil spring up the honey-bearing flowers of psalmody. Had he never been cruelly hunted by Saul, Israel, and the church of God after ages would have missed this song? The music of the sanctuary is in no small degree indebted to the trials of the saints. Affliction is the tuner of the harps of sanctified songsters. Altaschith. Another “destroy not” Psalm. Whom God preserves Satan cannot destroy. The Lord can even preserve the lives of his prophets by the very ravens that would naturally pick out their eyes. David always found a friend to help him when his case was peculiarly dangerous, and that friend was in his enemy’s household; in this instance, it was Michal, Saul’s daughter, as on former occasions it had been Jonathan, Saul’s son. Michtam of David. This is the Fifth of the Golden Secrets of David: God’s chosen people have many such. When Saul sent, they watched the house to kill him. Great efforts were made to carry the Psalms away to other authors and seasons than those assigned in the headings, it being the fashion just now to prove one’s learning by disagreeing with all who have gone before. Perhaps in a few years, the old titles will be as much reverenced as they are now rejected. There are spasms in these matters, and in many other things among them would-be “intellectuals” of the schools. We are not anxious to show our readiness at conjecture, and therefore are content with reading this Psalm in the light of the circumstances here mentioned; it does not seem unsuitable to any verse, and in some, the words are very appropriate to the specified occasion.
DIVISION. In Ps 59:1-2 he prays, in Ps 59:3-4 he complains of his woes, and again in Ps 59:5, he prays. Here he inserts a Selah and ends one portion of his song. In Ps 59:6-7 he renews his complaint, in Ps 59:8-10 declares his confidence in God, and in Ps 59:11-13 lifts up his heart in prayer; closing another part of his Psalm with Selah. Then he prays again in Ps 59:14-15 and afterward betakes himself to singing.
Verse 14. Here verse six is repeated, as if the songster defied his foes and revelled in the thought of their futile search, their malice, their disappointment, their rage, their defeated vigilance, their wasted energy. He laughs to think that all the city would know how they were deceived, and all Israel would ring with the story of the image and the goats’ hair in the bed. Nothing was more a subject of Oriental merriment than a case in which the crafty are deceived, and nothing more makes a man the object of derision than to be outwitted by a woman, as in this instance Saul and his base minions were by Michal. The warrior poet hears in fancy the howl of rage in the council of his foes when they found their victim clean escaped from their hands.
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