The Treasury of David

Psalm 88

Exposition
Explanatory Notes and Quaint Sayings
Hints to the Village Preacher

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TITLE. A Song or Psalm for the Sons of Korah. This sad complaint reads very little like a Song, nor can we conceive how it could be called by a name that denotes a song of praise or triumph, yet perhaps it was intentionally so-called to show how faith “glories in tribulations also.” Assuredly, if ever there was a song of sorrow and a Psalm of sadness, this is one. The sons of Korah, who had often united in chanting jubilant odes, are now bidden to take charge of this mournful dirge-like hymn. Servants and singers must not be choosers. To the chief Musician. He must superintend the singers and see that they do their duty well, for holy sorrow ought to be expressed with quite as much care as the most joyful praise; nothing should be slovenly in the Lord’s house. It is more difficult to express sorrow fitly than it is to pour forth notes of gladness. Upon Mahalath Leannoth. This is translated by Alexander, as “concerning afflictive sickness”, and if this be correct, it indicates the mental malady which occasioned this plaintive song. Maschil. This term has occurred many times before, and the reader will remember that it indicates an instructive or didactic Psalm:—the sorrows of one saint are lessons to others; experimental teaching is exceedingly valuable. Of Heman the Ezrahite. This, probably, informs us as to its authorship; it was written by Heman, but which Heman it would not be easy to determine, though it will not be a very serious mistake if we suppose it to be the man alluded to in 1Ki 4:31, as the brother of Ethan, and one of the five sons of Zerah (1Ch 2:6), the son of Judah, and hence called “the Ezrahite”: if this be the man, he was famous for his wisdom, and his being in Egypt during the time of Pharaoh’s oppression may help to account for the deep bass of his song, and for the antique form of many of the expressions, which are more after the manner of Job than David. There was, however, a Heman in David’s day who was one of the grand trio of chief musicians, “Heman, Asaph, and Ethan” (1Ch 15:19), and no one can prove that this was not the composer. The point is of no consequence; whoever wrote the Psalm must have been a man of deep experience, who had done business on the great waters of soul trouble.

SUBJECT AND DIVISION. This Psalm is fragmentary, and the only division of any service to us would be that suggested by Albert Barnes, viz.—A description of the sick man’s sufferings (Ps 88:1-9), and a prayer for mercy and deliverance (Ps 88:10-18). We shall, however, consider each verse separately, and so exhibit the better the incoherence of the author’s grief. The reader had better first peruse the Psalm as a whole.

Verse 1. O Lord God of my salvation. This is a hopeful title by which to address the Lord, and it has about it the only ray of comfortable light that shines throughout the Psalm. The writer has salvation, he is sure of that, and God is the sole author of it. While a man can see God as his Saviour, it is not altogether midnight with him. While the living God can be spoken of as the life of our salvation, our hope will not quite expire. It is one of the characteristics of true faith that she turns to Jehovah, the saving God when all other confidences have proved liars unto her. I have cried day and night before thee. His distress had not blown out the sparks of his prayer, but thickened them into a greater ardency, till they burned perpetually like a furnace at full blast. His prayer was personal—whoever had not prayed, he had done so; it was intensely earnest so that it was correctly described as a cry, such as children utter to move the pity of their parents; and it was unceasing, neither the business of the day nor the weariness of the night had silenced it: surely such entreaties could not be in vain. Perhaps, if Heman’s pain had not been incessant his supplications might have been intermittent; it is a good thing that sickness will not let us rest if we spend our restlessness in prayer. Day and night are both suitable to prayer; it is no work of darkness, therefore let us go with Daniel and pray when men can see us, yet, since supplication needs no light, let us accompany Jacob and wrestle at Jabbok till the day breaketh. Evil is transformed into good when it drives us to prayer. One expression of the text is worthy of special note; “before thee” is a remarkable intimation that the Psalmist’s cries had an aim and a direction towards the Lord, and were not the mere clamors of nature, but the groanings of a gracious heart towards Jehovah, the God of salvation. Of what use are arrows shot into the air? The archer’s business is to look well at the mark he drives at. Prayers must be directed to heaven with earnest care. So thought Heman—his cries were all meant for the heart of his God. He had no eye for onlookers as Pharisees have, but all his prayers were before his God.

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